Trio of photos top ACE Eddie Honours

'The Descendants'"The Descendants," "The Artist" and "Rango" needed feature film kudos since the American Cinema Editors gave out their ACE Eddie Honours."The Descendants" and editor Kevin Tent won to find the best-edited dramatic feature. "The Artist" editor Anne-Sophie Brion and editor-author-director Michel Hazanavicius won for comedy or musical feature. "Rango's" Craig Wood won for animated feature. The award for Tent and "The Descendants" spurred an especially noisy ovation, since it came in just minutes following a ACE had saluted the pic's helmer, Alexander Payne, having its Golden Eddie filmmaker of year award, and Payne had shipped a wry speech explaining how he works together Tent.Payne, who always recognized to Tent by his full title and affiliation, referred to he stops watching dailies after about 2 days of shooting and trusts Tent's set of how the dailies look. "Highly attuned over time towards the subtlest nuances inside the mellifluous voice of Kevin Tent, A.C.E., I am in a position to readily discern because he lies then when he notifies the truth.In . "On set I alone am everyone else,In . mentioned Payne, "psychologically checking this raw material for believability, rhythm, vividness and cutting points. But Kevin Tent, A.C.E., is my audience, which i hunger to thrill him." Payne offered three ideas about editing itself: "One, editing might be the continuing technique of disguising how bad the film is actually. 2, each day we edit, we increase the risk for film suck less. And # 3, editing might be natural condition of guy."Inside the TV groups, Steven Rasch needed the half-hour series award for "Curb Your Enthusiasm - Palestinian Chicken." Rasch, who was simply also nommed with an espisode of "Modern Family" quipped that "Of my fellow nominees, I am in a position to say one or more was very worthy." "Breaking Bad - Face Off" and editor Skip Macdonald won for hourlong for commercial television. The "Homeland" pilot and editors Jordan Goldman & David Latham needed non-commercial hourlong honors. The "Cinema Verite" team of Sarah Flack & Robert Pulcini" won for miniseries or TV movie. "Anthony Borudain: No Reservations - Haiti" and editor Eric Lasby won for reality series. "Freedom Riders" editors Lewis Erskine and Aljernon CQ Tunsil needed documentary honors. Anne V. Coates, editor of "Lawrence of Arabia" among other classic films, possess a noisy standing ovation as she found the podium use a student award to Eric Kench. Two editors received Career Achievement Honours: Doug Ibold and Joel Cox. Dick Wolf introduced Ibold, recalling an instalment of "Miami Vice" Ibold edited which were directed by Don Manley. "It went half-million dollars over budget, that was 1986," appreciated Wolf. "The episdode made no sense." Within the climax, Ibold intercut a scene of Manley making love to guest star Melanie Griffith getting a scene of drug retailers killing guest star Vanity. "You'll find in the last 26 years nobody has intercut sex and violence on network TV," quipped Wolf. Ibold noted it absolutely was 2 decades since the ACE made a decision to upgrade the Eddie Honours. In 1992, he mentioned "Clint Eastwood was our first filmmaker of year and Joel Cox won an Oscar for editing 'Unforgiven.' And guess what happens? Many of us are here tonight."Eastwood introduced Cox, who received another Career Achievement Award. Eastwood mentioned "Joel which i were here 2 decades ago. We've frequently wondered the reasons you haven't requested us back." Fast-paced ceremony happened within the Beverly Hilton. Contact David S. Cohen at david.cohen@variety.com